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If These Objects Could Speak. The Resonance of Contemporary History
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1. Insight(s)
1b. The mdw* at the transition from the First Republic to Austro-fascism from 1931 to 1938
1c. The mdw* during National Socialism from 1938 to 1945
1d. The mdw* in post-Nazism
2. “Simple party member, indispensable, reinstated.” - Denazification at the mdw*
3. “A Moment from Eisler’s Attempts to Return to Vienna”
4. Clemens Krauss’ having conducted a Goldmark piece in 1934 was presented as (questionable) evidence of his denazification
5. “Representative” church music during the Austro-fascism era
6. “Folk Song” and “Battle Cry” - An example of “ideological” practicality in music education
7. Musical popular education at the Department for Church Music in National Socialism
8. The 'Gesundheitsstammbuch' as a measure of hereditary and racial biology
9. Music students: “domestic” - “blind”
10. Expulsion – Escape – Murder. The persecution of members of the mdw* during National Socialism.
11. Franz Schütz in the context of National Socialist cultural policy
12. The “Song of Justice”. mdw* members in the Resistance
13. Landmine detonators at the Acting and Directing Seminar
14. About the history of the mdw University Library (ub.mdw*) – Stolen Sheet Music Prints and Provenance Research
14b. Gustav Maximilian Eduard Donath – The first director of the mdw* University Library (ub.mdw*), National Socialist sympathiser with “mixed race person first-degree“
14c. Curt Otto Rotter – Director of the Library of ”Reichshochschule für Musik Wien“ (University for Music in Vienna)
14d. The pianist and chamber musician Helene Herschel née Steiner
14e. The tenor Erich Fischhof and his escape to Switzerland
14f. “A Newcomer: The Bank Director as Conductor. His Name: Emil Bardach [...]”
14g. Restituted Nazi-looted property: The fortepiano of the “Teutonic Order”
15. Coal shortages, cold breaks and war damage – everyday life at the mdw
16. Violins as icons and objects of speculation - the question of restitutions
17. Continuity or “Necessity”
18. Vienna: The City of Music
19. The “Russian Hour” Opera Studio
20. Outlook
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Cornelia Szabó-Knotik: Kontinuitäten oder „Sachzwänge“
Item
Title
Cornelia Szabó-Knotik: Kontinuitäten oder „Sachzwänge“
Media
18_Kontinuitäten_WEB.pdf
18_Kontinuitäten_WEB.pdf18_Kontinuitäten_WEB.pdf